Groundwork in Motion: Artist Notes | CollabFund

An insight into the CollabFund project Re-Rooted by Eno Inyangete, following artists Fatma Elzahraa and Wacelia Zualo as they lay the crucial groundwork for their respective projects.

An insight into the CollabFund project Re-Rooted: Liberating Colonial African Collections Through Indigenous Knowledge Systems by Eno Inyangete.

With active field research officially underway, our selected artists Fatma Elzahraa and Wacelia Zualo are doing the crucial groundwork. From unpacking colonial language surrounding ancestral remains in Egypt to mapping sacred memory across Mozambique, read their latest updates from the field.

Fatma has completed the writing for her community-led atlas. Atlas: “Decolonising Vocabulary” explores the language used to talk about the mummified human remains of ancient ancestors. By examining commonly used terms like “mummy,” “museum,” “ownership” and “theft,” the atlas exposes the colonial contexts and power structures embedded within them. Fatma recently hosted a community call with Egyptian peers to gather feedback, sharing that, “this conversation allowed me to test the Atlas beyond my own research and perspective and to reflect on how different people relate to the language and ideas surrounding mummified human remains.”

In preparation for the production phase, Fatma is now reviewing the English text and has developed a visual moodboard to guide the design for the atlas.

Left: Fatma Elzahraa hosting a community call with Egyptian peers to gather feedback and test the concepts in her atlas. Right: : A visual moodboard created by Fatma Elzahraa to guide the design for her atlas. | Courtesy of the artist, Fatma Elzahraa / DRR “Re-Rooted” Project
Left: Fatma Elzahraa hosting a community call with Egyptian peers to gather feedback and test the concepts in her atlas. Right: A visual moodboard created by Fatma Elzahraa to guide the design for her atlas. | Courtesy of the artist, Fatma Elzahraa / DRR “Re-Rooted” Project

Meanwhile, Wacelia has been mapping out her field research across Mozambique. Engaging directly with traditional leaders, Chiefs, traditional healers, traditional doulas, community elders and sacred sites, Wacelia reflects on her process: “I move between worlds. I listen. I ask. I create. Research is not only what I find. It is also what finds me.” Her community consultations in Chibabava and Goonda revealed both the persistence of hidden knowledge and the deep pain of colonial extraction. Wacelia notes that “knowledge is still here, even if it is hidden” and that “not every object is for the museum. Some things carry spirits.”

Translating these field notes into material form, Wacelia has begun mapping symbols, experimenting with textiles and natural dyes and creating provisional sketches to imagine how some of these ideas might exist as objects. In September, she will travel to Leipzig to engage directly with the physical objects in the collection - their scale, weight and presence - as “the beginning of a conversation.”

Left:  Artist Wacelia conducting archival research and consultations at ARPAC (Institutode Investigação Sócio-Cultural) to contextualise local history. Right:  : Local women gathering at the Buzi river in Mozambique, reflecting the vital role of water as a sacred and everyday site for community life, washing and gathering. | Courtesy of the artist, Wacelia Zualo / DRR “Re-Rooted” Project
Left: Artist Wacelia conducting archival research and consultations at ARPAC (Institutode Investigação Sócio-Cultural) to contextualise local history. Right: Local women gathering at the Buzi river in Mozambique, reflecting the vital role of water as a sacred and everyday site for community life, washing and gathering. | Courtesy of the artist, Wacelia Zualo / DRR “Re-Rooted” Project

The Author

Eno Inyangete
DRR Collective Member
TheMuseumsLab Alumna

The initiative TheMuseumsLab CollabFund is funded by the Kulturstiftung des Bundes (German Federal Cultural Foundation).

Logo-Leiste_CollabFund_2.webp